lunes, 23 de noviembre de 2009


"Malaika" / "Consuela Biaz" is a double A-side single by German band Boney M. and the first single taken from their fifth album Boonoonoonoos (1981).

Malaika, which means "angel" in Swahili and Arabic, was a song first recorded by Kenyan musician Fadhili William and his band Jambo Boys in 1960. Authorship of the song is often attributed to Fadhili William, but that is somewhat disputed.

It was later re-recorded at Equator Sound Studios by the British-born Kenyan music promoter Charles Worrod, who marketed the ballad to eventually becoming an internationally acclaimed song.

It peaked at number 13 in the German charts, their lowest placing so far after their commercial breakthrough. Boney M. would use the double A-side format in this period, typically with the A1 being the song intended for radio and A2 being more squarely aimed at discos. "Consuela Biaz" was first promoted as the A-side in Germany where the group performed it in pop show Musikladen. After a promotional visit to Spain where the group found "Malaika" had become a Top 10 hit, the title was remixed and then promoted as the A-side. It was the second consecutive Boney M. single not to be released in the UK and Japan.

The original German and Spanish 4:30 single mix featured no percussion ad-libs and most notably, after the second verse it has a key-change to a drum, handclaps and a cappella chant before the song quickly fades. When producer Frank Farian remixed the song for the 12" single and a new 7" edit, he added more percussion and synth and deleted this key-change part and replaced with an outro with himself singing "Wimoweh, wimoweh" (deliberately borrowed from another African tune The Lion Sleeps Tonight.

Consuela Biaz is a ballad story of a fictional character. A slightly different mix appeared on the original pressings, most notably including the line Tell me, is our dream about to end, sung by Frank Farian just before the second verse. The full remixed second version (5:20) appeared only on the Hungarian 7" single and the French 12" single until it was finally issued on The Collection in 2008. A 4:57 edit appeared on most single versions.

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